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See you at the new blog 🙂
Linda 🙂
You can now find me blogging at https://orchidstainedglass.co.uk
Here is a shade I completed for a delighted customer in February. She was delighted and said it surpassed all her expectations :). Lovely to get such favourable feedback! It was inspired by my little leaf design uplighter that she saw in my studio. And below are a few photos of how I made it…
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Detail of some of the glass pieces cut and laid on a template to get the shape. The white residue is powdered glass from where the pieces were ground ready for foiling…
Here are the foiled glass pieces. Each one is foiled by hand, so quite a slow process (but therapeutic!) …
Ooh these panels look a bit like angel’s wings laid out. The glass pieces in the eight panels have been soldered together ready to assemble into the lamp…
And here is a close up of the signature and date etched on the inside of the finished shade. Note the solder joints have been darkened with a black patina which makes a feature of them and also makes a strong contrast with the jewel colours of the glass when the lamp is lit…
And this is the finished lamp :). Lovely warm autumnal colours. Below is the uplighter that the customer saw and that she wanted replicated in a table top shade. It looks perfect in her lounge which is decorated in warm terracotta tones.
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Excited to see that my advert has gone live in online publication 91 Magazine’s Craft Special. If you are into hand crafted and vintage products, there is lots of inspiration here! My ad is on page 34. Check it out at http://issuu.com/91magazine/docs/craftspecfinal
Dear glass lovers
Happy New Year!
I hope you have enjoyed my posts to date about lovely stained glass. Please help support innovative design in glass with a vote for my business in the Craft&Design magazine Selected Awards 2014. If you haven’t seen Craft&Design magazine, it is well worth a look if you are interested in high end art, craft and design. You do have to register in order to vote, but they won’t spam you so I hope you will take a moment to vote for me 🙂 . Here is a link to my Selected Maker page on their website. Just scroll down to the vote button where you can register. Thank you so much for your support! http://www.craftmaker.co.uk/lindabanks/
Thank you!
Linda 🙂
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Well a little late for Christmas I am posting my holly and berry lamp, which has received many lovely comments over the festive period :). And once again some photos of the making process. It was made using the copper foil – or Tiffany – method like the Tiffany Studios used back at the end of the 1800s 🙂 but to my own design.
Above: the finished shade.
Here are the first pieces of holly cut from beautiful rich green stained glass – each cut individually by hand. Also the first ‘berries’ in rich red and brown and clear glass. If you look closely you can see the thin strip of copper foil around each marble as well as on the holly shapes. I used my smallest fibreglass mould to shape the design.
Here is the shade from above with a lot more pieces added… nearly there with the foiling, but lots of soldering to do in the next phase…
Here is the outside view with lots of silvery solder holding it all together – starting to get heavy!
Above is the inside view before it has been finished properly – lots of lumps and bumps!
And finally the finished shade after patina has been added to blacken the solder and the whole piece has been cleaned inside and out before setting on its bronzed stand. Great fun to make and the ultimate Christmas decoration 🙂
After so many favourable comments about the green glass vase I revitalised with stained glass (see previous post), I have decorated some more vases, which I thought you might like to see.
I was given this lovely green glass bowl which had cracked and fallen in half as the client loved its rich green colour and didn’t want to throw it away if possible. So I set about glueing it back together…
… And then I added copper foil tape to cover the crack and work as a base to build on my design. The client loved Art Nouveau style so I decided to create some naturalistic, flowing plant and flower forms. These were loosely based on lilies and daisies, with different flowers and leaves front and back with wire stamens.
Here is the back view:
The clients were delighted with the result and I have had so many positive comments from other people about this bowl that I am now decorating some new glass vases and dishes with similar designs… Watch this space for some of the results.
I’ve been busy making some Christmas designs in stained glass. This Christmas present brooch design would work equally well as a birthday present. I particularly enjoyed adding the sweet little clear glass ‘tag’ with etched heart and could customise the tags with the initial of the recipient for an extra special personalised gift. Below I’ve added the steps I took to create these fun designs.
The background present shape is cut from stained glass and any rough edges are ground off.
The shapes are copper foiled around all sides, ready for soldering.
Tinned wire is cut and shaped ready to add to the stained glass pieces.
The pieces are tinned with a coat of solder so that the wire will fix to the glass. A tiny clear glass tag is added, featuring an etched heart shape to complete the brooch. Then everything is cleaned carefully before the clip is added on the reverse. These would work equally well as pendant necklaces I think.
Finished window panel
This unusual subject – grasshoppers – was requested by a client who has named every house she has lived in ‘Grasshoppers’. She wanted the stained glass for a side window in her lounge which had a poor aspect, being overlooked by the property next door. After extensive discussions on design and colour, I set about creating the panel using traditional lead and stained glass. Here are some photos showing the process of making a stained glass window using techniques that have barely changed for centuries.
The first two leads are set on top of the design and the first glass pieces cut and laid out.
The design builds up, each piece of glass leaded round and nails secure everything in position until it is spot soldered at the joints
Slimmer widths of lead came are used for the detailing on the grasshoppers
Once the panel is constructed and sealed, blacking is added to give a dark finish to the leads
A close-up of the finished design, showing the detail possible with the technique. The textured background glass ensures privacy when the panel is fitted in place
oneglassylady 